The Sitting
We take the day apart with you. Who is being honoured, who must be comfortable, what the room should sound like at nine in the evening. You get it back in writing.

Celebration architecture from Lagos. Anywhere in the world.
We publish the last number because it is the only one that matters.
She went quiet for three weeks.
Nine days out, nobody could tell us who was coming.
Half the vendors were never actually booked.
My mother spent her own party holding a clipboard.
We take the day apart with you. Who is being honoured, who must be comfortable, what the room should sound like at nine in the evening. You get it back in writing.
The day drawn: room plans, a light plot, a run of show to the minute, a colour and cloth direction, and a budget with nothing hidden. Bound. We call it the Book. Yours at week three.
Trucks, rigging, cloth, sound, flowers. The room goes up in thirty six hours and we rehearse in it before you ever see it.
A producer on headset, a stage manager in the room, the run of show in every hand that needs it. Nobody in your family carries a clipboard.
Film, photographs, the cloth folded and labelled, the whole archive in your hands within twenty one days.




That is the only part of the day you have to do yourself.
Built stages for arena tours for nine years. Came to her first wedding angry about how it was run.
Structural engineer. Owns the build schedule and the load limits. Says no for a living.
Sources aso oke, lace, adire and kente. Can date a weave by touch.
Runs the Gulf of Guinea circuit. Twenty two venues on speed dial.
Francophone West Africa. Negotiates in three languages before lunch.
Handles days planned from abroad. Your two in the morning question gets a two in the morning answer.
Last year we built in London, Lisbon, Dubai, Atlanta and Kigali. Lagos is where we are built, not where we stop.

Cloth sourced in Kano. Folded, labelled and returned to you.
One day, one venue, up to 300 guests. The Sitting, the Book, the build, a producer on the day.
Two to four events across three days. Traditional, white, after party. Up to 1,000 guests.
Multi city, multi month. Homecomings, launches, milestone years.
Travel and freight are quoted separately and shown to you at cost.
No. One producer, their direct number, and a written update every Friday until the day. If we miss a Friday, your next invoice drops by ten percent.
A producer on headset and a stage manager in the room. Nobody in your family carries a clipboard.
Then we are the wrong house. We will say so on the first call and point you to two we trust.
Yes. Last year: London, Lisbon, Dubai, Atlanta, Kigali.
Every vendor is contracted before your money moves, and every critical role has a named backup in the Book. A failure becomes a swap, not a story.
You get the Book at week three. Room plans, light plot, run of show to the minute, and a budget with nothing hidden.